Teo Hernández

I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours...

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.

All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces...

Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue...

In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.

An autobiographical black-and-white short in which Teo Hernández portrays his Purépecha father by holding backlit old photographs atop...

The construction of the film outlines the successive steps of a path that, as we move forward, reveals the different stages of its presentation: the...

Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day...

Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against...

Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

An autobiographical film that orchestrates the fragments of Michel Nedjar's life, to compose an architecture. The family films shot by his father,...

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

"In 1968, during a stay in London, I could finally achieved my first film: 14, BINA GARDEN. A camera wanders into the decor of a room ..."

Reel 2 of Gérard Courant's on-going Cinematon series.

Outtakes from the movie

Joseph Morder's fifth journal film shot from July to December of 1980.